![]() ![]() From there, you can use the synth’s wide range of controls to manipulate the way it synthesizes the sound. You start off by dropping an audio file into the granulator (it takes any mono or stereo WAV, AIF, OGG, FLAC or MP3 file), which Quanta 2 chops up into tiny grains. The sounds in Quanta 2 emanate from three sources: the “granulator”, an analogue oscillator and a noise generator. Quanta 2 is a powerful but easy-to-use granular synth with far-reaching sound design capabilities, and it’s an instrument that succeeds in making granular synthesis fun and productive for music makers of all levels. The deep, subby bass classic strings and pads, and slightly plasticky leads that the Juno 106 is known for have all been painstakingly emulated, and you’ll also enjoy the famous chorus modules that are almost worth the price of the instrument on their own.Īs we move into the higher price brackets, the synths in our list become more versatile and fully featured. The clean and crisp GUI means programming patches won’t give you a headache, but you’ll be most impressed by just how good the plugin sounds. TAL-U-NO-LX Synth is a fantastically authentic clone of the Juno 106 and comes with virtually all the same synth architecture as the original unit. Classic synths made a serious comeback during the last ten years, you can hear the Juno 106’s warm, lush tones on White Ferrari by Frank Ocean, On the Level by Mac DeMarco and pretty much anything by Tame Impala. “You know” what it looks and sounds like, and that it is of course the beloved Roland Juno 106. ![]() It’s blindingly obvious which classic analog synth this plugin is inspired by, so much so that TAL felt they had to name it accordingly. You can develop the expression of this sound by using the synth’s LFO/envelope section, which allows you to add things like pitch scoops at the start and end of notes, shifting timbres and volume envelopes. Pipa’s internal engine morphs between these wavetables to give you a continuous vocal sound. Instead of using ordinary samples or processing oscillators with formant filters, Pipa uses a large database of wavetables extracted from real vocal samples, which Kievgrand openly admit will tax your CPU pretty heavily.ĭuring the development of the plugin, Kievgrand recorded singers performing vowel sounds using varying dynamics and pitches, which they then chopped up into tiny wavetables. Kicking things off in a rather unusual style, Pipa is a crossover between a wavetable synthesizer and a granulating sample player, specialised for vocal sounds. In this article, we’ve gone through the best synths in every price category, from the freebies all the way up to the big guns. Wavetable, virtual analog models, FM, modular, additive and subtractive synths – it can be hard to know where to begin, especially when you consider there’s a range of price points within each category. ![]() Perhaps your only real enemy when it comes to synth plugins is choice, as there’s quite an array of options available to you when it comes to purchasing time. Throw in the fact that they’re far cheaper and don’t take up any space in your living room, and it’s easy to see why most producers have an arsenal of soft synth power to unleash in their tracks. We’re here to help you find the synth to suit your needs, whatever you’re willing to spend - starting from free.Īlthough you will always hear analog lovers decry them for the unforgivable sin of being in the box, the truth is that the power and functionality of synth plugins far surpass most hardware units out there. ![]()
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